Fall 2015 College of Design Faculty/Staff Retreat at Wild Turkey Visitors Center
Photo by GLINT Studios
D Icon

The Dean Distilled

I grew up at the center of the R.J. Reynolds industry in North Carolina. As a child of the 1960s, I saw tobacco as benign; even in my young mind I understood it as an economic driver. Working for R.J. Reynolds was broadly understood as the most profitable job for the middle to upper classes in Winston-Salem. The reputation wasn’t about tobacco, it was about the benefits to employees. Not until recently did I fully appreciate what Reynolds had done for the regional economy beginning in the early 20th century (continuing even today) and what his wife Katharine, in turn, had done for the company employees, social reform, and then art and education. She named the family estate, Reynolda House, which years later would open to the public as one of the best museums for American art in the United States.

I realized when visiting the museum that my undergraduate education was possible because of her philanthropic vision. I was privileged to be a recipient of the coveted Katharine Smith Reynolds Scholarship, which financed my entire undergraduate education. Katharine spent three years (beginning in 1897) at what is now the University of North Carolina at Greensboro, formerly known as the Woman’s College, where she adopted the radical notion that educated women could change the world.

The Reynolda House was completed in 1917, the same year that saw the completion of the Reynolds Tobacco building now located on the University of Kentucky’s campus. It was also the year when Richard Joshua (R.J.) Reynolds became gravely ill, dying later in 1918 after a lifetime driven by philanthropy.

In 2015 when I first arrived in Lexington, an early stop was in front of the Reynolds Building at 349 Scott Street. There was rapid rumor of its demolition. I stood and looked up at the engraved lintel over the front door, revisiting my personal history with the Reynolds legacy: adaptive reuse… from economic engine to empowering workers to philanthropy to education.

Now we reimagine Reynolds — the building — aiming to celebrate the economic history and the philanthropic spirit of R.J. and Katharine Smith Reynolds by recasting it for design education. We preserve history to learn from it and to reuse it. We adapt.

Please join us in celebrating this moment of opportunity for the College of Design. Help us build a sustainable and energizing atmosphere for future generations of students. It is the gift that continues to give; my small story is a testament to that life cycle.

We will do what we do best: design, build, preserve, and educate. This new opportunity will ensure the continued elevation of the College as a community partner and economic driver for the greater Commonwealth.

Mitzi R. Vernon, Dean

Mitzi R. Vernon, Dean

Dean Vernon in the unfiltered and pre-transformed Reynolds Building, Fall 2018. Photo by Shaun Ring.

Dean Vernon joined the College of Design in 2015. Under her leadership, she has spearheaded the following initiatives for the College:
  • The College of Design held its first college-wide design charrette in preparation for the new Workshop Café in Pence Hall, completed October 2018. This was in association with the upgrade in the Fabrication Lab, that included a CNC production router and robotic arm. All students participated on an interdisciplinary team to come up with design ideas for the space, which has now been completed.
  • Development of the College of Design Strategic Plan | Design 2021
  • Complete and transparent redesign of the College’s budget system.
  • Inaugural publication and volume two (January 2019) of 38°84, the new College narrative magazine, which has become a cornerstone for philanthropy and recruitment.
  • Inclusion By Design: Inaugural college-wide event designed to feature minority speakers and panelists from our disciplines.
  • Press conference with President Eli Capilouto and Mayor Greg Fischer announcing launch of our first satellite studio, Studio Louisville.
  • Successful launch of new program: The Master of Science in Urban and Environmental Design (MUED), in conjunction with the film premiere of Land Grab, featuring Marshall Brown and John Hantz.
  • The creation of the Director of Design Technology position and hiring of Bill Massie.
  • The approval to adapt and remodel the Reynolds Building as the new home for the College.